What is Al's most creative lyric, when it comes to fitting the cadence and rhyme scheme of the original song?

The first one that comes to mind is in Word Crimes. Everything about "it's" being a contraction, highlighted by "YOU WOULD NOT USE 'IT'S' IN THIS CASE..." for "you the hottest b\*\*\*\* in this place!"

He carries long sentences over multiple phrases but somehow it works.

Honorable mention to him working W.A.P. into Polkamania!